“Une standing ovation inédite aux Musicales de Gadagne

-An article on a local news paper “Vaucluse matin (2022.05.18)”

>read the article (in French)


“Le pianiste japonais Ryutaro Suzuki, très bel interprète de la musique française

-Radio program on idFM-Enghien les Bains, “Balade Musicale” hosted by Christophe Gravereaux (2022.05.12)

>listen to the radio program on Podcast (in French)


Ryutaro Suzuki: un vrai triomphe

-An article on a local news paper “Journal de Gien (2022.03.09)” about the recital at “Rencontres Musicales de Gien”

>read the article (in French)


La finesse de l’interprète, son sens de la mesure conviennent parfaitement chez Ibert”

“On apprécie..Les Préludes d’une belle maîtrise sonore, sans faute de goût”

-An article by Bertrand Boissard on “Diapason” (May 2020) which gives 4 diapasons on the second album

>read the article (in franch)


“come una scintillante e variegata collana, le interpretazioni del virtuoso giapponese

-An article by Ferruccio Nuzzo about the second album >read the article (in Italian)


“Plaisir d’un piano empreint d’une belle nostalgie.”

-An article by Philippe-Emmanuel Krautter about the second album >read the article (in French)


We feel how comfortable Ryutaro Suzuki is to play these works”

-An article by Ariane Charton about the second album with the works by Debussy, Ibert and Otaka (Editions Hortus, 2020) >read the article (in French)


una digitación y musicalidad simplemente asombrosas” 

-Article about the chamber music concert given in Santiago de Chile on September 26th 2017.  >read the article (in Spanish)


Un clavier (très) bien tempéré!  

-Article about the recital given at “Goethe Insitut – Saison Blüthner” on “Pianiste”, November 30th 2016 (in French) >


L’Âme Ravéliene de Ryutaro Suzuki”  

-Concert review of a recital given at festival “Sommets-Musicaux de Gstaad” on “Bachtrack”, January 30th 2016 (in French) >


“Ryutaro made a strong impression on me: his mature personality shines through in his playing and he shows great intelligence in his approach to texts”  –Anne Queffélec, During an interview on Piano Bleu about the 2016 festival of Piano en Saintonge >